Where the Sidewalk Ends
4 ¾” x 7 ¾” oil on paper (2022)
I stand on the road of presence looking into the shadows of the unknown. I venture to the edge and see the glimpse of dark mystery luring me into its grasp. Every step I take, every minute I am awake I am no closer to the cusp of its bubble nor am I aware of its hold on me. A bright red sign says “Stop, this is the end.” And still I stand waiting, imagining the further and far beyond. Knowing something is bound to happen.
Tethered
10” x 20” oil on canvas (2023)
A female sits at the bottom of a vertical composition holding a piece of her face as golden light oozes out. A string emerges from her back and moves up the composition where scissors attempt to snip the line. This piece is a representation of the contemplation and acknowledgement of wanting to let go, but being tied to everything that keeps us living.
In the Beginning
4 ¾” x 7 ¾” acrylic on paper (2024)
A figure walks towards a portal-like background framed with clouds and striated patterns. I reference and utilize the cliche composition of a graduation photo to convey the bitter sweet essence of the end, but a new beginning.
Escapist
16” x 20” oil on canvas (2024)
A female writhes out of the pupil of an eye, emulating a rebirth, and an escape from the perception of others, one’s self, and society.
The Truest Color of the Sky
(w/narrative)
18” x 24” oil on canvas (2025)
The Truest Color of the Sky
The night finally came. We started to deconstruct the pile of home that had grown in our living room over a couple weeks. We are headed to Portebellum, the land of portobello mushrooms and where the sky reveals its truest colors. My eldest sister has wanted to figure out the true color of the sky since she learned it was hidden by the clouds over here, so we each carried all her possessions on our back and started the journey north.
The role count: Dad, Mom, Big sis, Me, and Lil sis. We started the walk under the night sky. The hours dragged on as the moon made its way across and seemed to follow us. The farther we got from home, the clearer the sky got as if waking from a dream. It was bedazzled with stars that could rival diamonds, but as the night carried on our eyes could no longer be held open by its glamor. We set up camps and slept till the sun greeted us the next morning.
As we prepared for the full day’s journey ahead, we gathered around to eat dumplings Mother prepared over the campfire, and talked about what the colors of the sky will be when we get to Portebellum. Lil sis suggested green and effervescent as emeralds. Big sis chimed deep blue as the chilly oceans. We wouldn't know until we got there, so we dismantled our little camp and set off again.
The sun was blazing hot today and many travelers were on the road, heading to places I could not tell you. We encountered tulip fields that went onto the horizon and rolling golden fields that glowed as the sun set for the day. We walked till the sky turned ink black. Our lights pierced through the thick cloth of darkness and attracted all the small bugs, which was absolutely disgusting. Dad told us to keep our mouths closed so we don’t eat any, but I think there was another aim in that ask. Then we made it to the mountains where the road was winding and curvy. Throughout the night we trekked on and on until I thought we would walk off the edge of the earth. Up ahead, Lil sis shouted “We made it!” It echoed into the night where it was stolen by the silence. As we caught up we all saw the rickety old wooden sign that read “Welcome to Portebellum.” Collectively we all breathed a sigh of relief but realized that we wouldn’t be able to see the true color of the sky until the moon gave way to the sun, so we all tried to tame our excitement and went to sleep.
The next day the light peeled through our eyelids and greeted us with its warmth. We all looked, awe struck by its clarity; it was awash in colors only existent in dreams.
Til Death Do Us Part
12” x 12” oil on canvas (2024)
An experiment of how reference can affect messaging and theme. A collage made from magazines chosen for their content: the most haunted places, microscopic microbes and murderers arranged in a surrealist style landscape.
Playground
16” x 20” oil on canvas (2024)
A landscape painted from life and memory. Its impressionistic style emulates the haziness of a flashback. I have come to find that it represents the expansive field of exploration and creativity I choose to roam, rather than spend time in a structure that has intentional paths and options.
Tiny Boxes
(prototype)
3 ½ ” x 2” x 1 ½ ” vellum (2026)
Encapsulating emotions living in journal entries within geometric shapes.
Bearer
(model)
6 ½” x 5” x 6 ¾” wood (2026)
An abstracted figural form becomes a stool to act as the physical representation of the sitter carrying their own mental and physical weights.